PUBLICATIONS
“Poisoning the Mother/Land: Ecofeminist Readings of José Rivera’s Marisol and Cherríe Moraga’s Heroes and Saints.” Theatre History Studies vol 35. December 2016. Special issue ed. Karen Bamford and Sheila Rabillard.
“Methodology: Ecodramaturgy.” In Reading Contemporary Performance: Theatricality Across Genres, ed. Meiling Cheng and Gabrielle Cody. Routledge, 2015.
“Case Study in Ecodramaturgy: Anna Halprin and Rachel Rosenthal.” In Reading Contemporary Performance: Theatricality Across Genres, ed. Meiling Cheng and Gabrielle Cody. Routledge, 2015.
“Case Study in Ecodramaturgy: Marc Bamuthi Joseph.” In Reading Contemporary Performance: Theatricality Across Genres, ed. Meiling Cheng and Gabrielle Cody. Routledge, 2015.
Review: “red, black, & green: a blues by Marc Bamuthi Joseph.” Theatre Journal, December 2013.
“Eeo Stubblefield’s Still Dance with Anna Halprin.” In Readings in Performance and Ecology, ed. Theresa May and Wendy Arons. Palgrave Macmillan, 2012.
“The 2006 ChoreoFest at the Yerba Buena Gardens Festival.” InDANCE, San Francisco, July/August 2006.
“Celebrating 35 Years at ODC.” InDANCE, San Francisco, March 2006.
“The Velveteen Rabbit: Twenty Years of Magical Dance at ODC.” InDANCE, San Francisco, November 2006.
“‘Damned Souls in the Moonlight’: The Site of Confession in A Moon for the Misbegotten." Concept, vol. 25 (Spring 2002), 3 – 23.
CONFERENCE PRESENTATIONS
“Dramaturgy at the Speed of Sound: MACH 33: The Festival of New Science-Driven Plays at Caltech.” Association for Theater in Higher Education (ATHE), August 2017, Las Vegas, NV
“‘The bank of the river becomes red, like the ground is bleeding’: Biospheric Connectedness in the Play Song of Extinction by EM Lewis.” Natures, February 2015, La Sierra University, Riverside, CA
Chair and roundtable participant, “Decentering the Body: Co-Presence and Multiplicity in Dance and Film.” Society of Dance History Scholars and Congress on Research and Dance joint conference, November 2013, University of California at Riverside, Riverside, CA
“Roots of Community: Bamuthi’s red, black & GREEN: the blues.” Earth Matters on Stage (EMOS), June 2012, Carnegie-Mellon University, Pittsburgh, PA
“Chasing Rachel: On Minding, and Not Minding, the Gaps.” Dance Under Construction, April 2012, University of California at Riverside, CA
“Does the ‘Matter’ of Theater ‘Matter’ for the Planet?” Participant and co-convenor, Performance and Ecology Working Group, American Society for Theater Research / Congress on Research and Dance (ASTR/CORD), November 2010, Seattle, WA
“Entangled, Embodied, Engaged: Ecological Performances and Technology.” ATHE, August 2010, Los Angeles, CA
Chair and roundtable participant, “Rachel Rosenthal in Context.” Earth Matters on Stage, June 2009, University of Oregon, OR
Chair and roundtable participant, “Choreographing Corporeality: Sites in Motion.” Society of Dance History Scholars, June 2009, Stanford University, Stanford, CA
“Anna Halprin’s Still Dances.” Society of Dance History Scholars, June 2008, Skidmore College, Saratoga Springs, NY
Moderator, panel on “Deleuze and Dance.” Dance Under Construction X, April 2008, University of California at Berkeley
“Poisoning Gaia: Rachel Rosenthal’s Ecofeminist Performance Art.” Performance Studies international #13: happening performance event, November 2007, NYU, New York City
Chair and presenter, “‘The Apocalypse, or, the Katrina Boogie’: The Landscape of Survival in the Katrina Plays by Yvette Sirker.” ATHE, August 2007, New Orleans
“Memory of the Land: The Environmental Wasteland of Marisol by José Rivera.” Signatures of the Past: Cultural Memory in Contemporary North American Drama, April 2007, Brussels, Belgium
Chair and presenter, “Performing the Profane Body: Pina Bausch’s Ecologies of Performance.” ATHE, August 2006, Chicago
“Anna Halprin's Returning Home: Choreographing Eco-Feminist Healing.” ATHE, August 2006, Chicago
“‘My head is filled with horrible images’: Staging Sadism, Trauma, and Loss in Plays by Caryl Churchill.” ATHE, July 2005, San Francisco
“‘Stalking the Drawing’: William Kentridge's ‘Stone-Age Filmmaking.’” Performance Studies international #11: Becoming Uncomfortable, March 2005, Providence, Rhode Island
“Negotiating Presence in ‘The pARADOX Event,’ a Mixed-Ability Dance Performance.” Dance Under Construction VI, March 2004, University of California at Riverside, Riverside, CA
“‘Between the Cry and the Sign’: Jacques Lecoq, Undermining the Mime.” Hawaii
International Conference on the Arts and Humanities, January 2004, University of Hawaii